![]() Check out a couple sample images from the expo below. If you shoot Sony and have been looking for something in this focal length or for an excellent macro, the Zeiss Batis 40mm f/2 deserves your attention. It’s decently fast, has the gorgeous color and contrast one would expect from Zeiss, is sharp as a tack wide open and is not unattainably priced at $1299. This one is less revolutionary than some products on the list and more “new and really nice,” but Sony shooters with a taste for high-end glass will appreciate this one. Bluetooth Low Energy, Dual SD Card Slots.Full HD 1080p Video Recording at 30 fps.A full hands-on write-up for the GFX 50R is coming, so keep watch! In the meantime, find a sample image below, shot with the GF 110mm f/2. But, after getting to use a GFX 50R for a day at PPE, I can say with certainty the results are lovely. Granted, the GFX 50R’s 51.4-megapixel sensor is smaller in area and lower resolution than an exponentially more expensive (and also physically larger) Phase One. Priced at $4499, a GFX 50R body will set you back about as much as a Sony a9. Is digital medium format on its way to becoming commonplace? For years, price was a major prohibitive factor keeping photographers away from medium format, but Fuji’s newest medium format body (and the GFX 50S before it) are tossing that standard to the wind. 6 Tips To Make The Most Of A Photo Expo And Why You Should Go Fujifilm GFX 50R ![]() Check the video below to see it in action. It will also help you find your drone in the air if you’ve lost sight of it and can show a pre-visualization of a programmed flight path. The Epson Drone SoAR app does more than merely offer AR monitoring, though. The glasses run on an Android operating system and can utilize the new Epson Drone SoAR app to watch what your drone is seeing *while* you watch your drone’s trajectory in the sky. In partnership with DJI, Epson has a particular model of AR glasses, the Epson Moverio BT-300 (FPV/Drone Edition). Drone pilots who are tired of looking from their phone to the sky in order to both track their drone and monitor what it’s recording will like this one. You may be surprised to learn that Epson is also involved in augmented reality glasses, and they’ve just pioneered a fascinating take on what to do with this technology. When you think of Epson, you probably think of printers and paper. ![]() Each showcased a stage of ZEISS’s touted “Shoot, Edit, Share” concept. The ZX1 is still a prototype as of this writing, so hands-on wasn’t possible at the expo, but three units were on display under glass. 4.34″ rear LCD screen with a kink where the menu goes to make navigation while holding the camera to your eye easier.Physical aperture and shutter speed/ISO controls.It also eschews removable memory in favor of a 512GB internal SSD. Its 37.4-megapixel sensor falls between average and high-resolution standards for today’s bodies, but the big news is that the ZX1 integrates Adobe Lightroom CC directly into the camera. Known for their exquisite glass, Zeiss has only just ventured into the land of camera manufacturing with a unique new full-frame mirrorless camera with a fixed Zeiss Distagon T* 35mm f/2 Lens. Still, there is a dynamic in effect where Sony pushes boundaries while the others play catch-up (with some notable exceptions, like Canon’s new control ring and touch bar.) Meanwhile, Zeiss is on something new altogether. Mirrorless’s transition from alternative to standard is well underway, and for the first time, would-be full frame mirrorless seekers have the option of sticking with the brand they know instead of rushing to Sony en masse as they have since the a7’s inception.
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